Ladies and Gentlemen, the Fabulous Stains (1982)
If you're thinking, 'Ah, BQ's unearthed yet another undiscovered gem!'.....well.....yes and no.
Undiscovered? Not quite. Made in 1980, Paramount shelved it for a couple of years until it went into endless rotation on HBO and other premium cable movie sites.
And...der Bingo...a cult oddball was born among insomnia afflicted viewers who watched it repeatedly in the middle of the night....
A gem? Not quite. Raggedly and overall sloppy filmmaking were all too apparent but some powerhouse performances from future stars kept anyone who stuck it out enthralled.
And talk about prescient.....the film offered up a battle cry for female empowerment and a take-no-prisoners attack on misogynist patriarchy.
It's a rise-and-fall story of a blatantly untalented punk rock girl band who become overnight pop culture sensations.....which they owe to their fearless, fierce leader 17 year old Corrine, played by then 15 year old Diane Lane.
Corrine's the tone deaf lead 'singer' of The Stains, comprised of herself, her sister Tracy (Marin Kanter) and their cousin Jessica (Laura Dern, then 13 years old), neither of which can play their guitars. Due to Corrine's growing notoriety from rage-filled, caught-on-camera public outbursts, the girls secure a place on a bottom-of-the-barrel rock tour of has beens and wanna be's.
The Stains share the stage with The Metal Corpses, drugged-out, booze soaked, washed up acid rockers on their last gasp and the young British up-and-comers The Looters, fronted by their angry, in-your-face vocalist Billy (played by, prepare yourselves, then 23 year old Ray Winstone of "The Departed" and "Indiana Jones and the Kingdom of the Crystal Skull")
The group's total lack of musicianship gets them booed off the stage until Corrine reveals a skimpy costume and delivers a 'f*** everybody' rant and a call to young girls to stop letting the world patronize, minimize and/or abuse them. Her defiant mantra, "I don't put out!" becomes instantly adopted by hordes of newly enraptured teen girls and young women.
And a multi-media sensation is born, with the Stains' hustling, hungry agent agent (David Clennon) making big bank selling merch to their adoring fans......all of them outfitted like Corrine and her bandmates, sporting multi colored skunk hair, bikini briefs and fishnet stockings.
Throughout its brief, rapidly paced running time, the film takes a gritty, sometimes on target satiric view of the music business underbelly. Its teeming cast of grifters, strivers and never-will be's are never less than fascinating to watch. And there's an equally cold eye cast on the media's bemused coverage of the ongoing loony circus provided to them by all those colorful wacky folk with the long hair and guitars.
We're certainly no expert on the music performed here, so we couldn't tell if the songs are accurate replicas of the bands' genres or merely smartass sarcastic jokes, like the faux country songs of Robert Altman's "Nashvile." To us, they sounded like a mixture of both......
We do know for sure that the film's most plot pivotal scene rings completely false, a dumb, senseless misstep that, in light of today's pop music world, rings false. On stage an enraged Billy, as revenge on Corrine for appropriating one of his songs, harangues the Stains' fans for falling for Corrine's manufactured rebel girl shtick and enriching her by throwing their money away on her merch. The film then wants you to believe that the army of fangirls instantly turns on Corrine, attacking her physically and pelting her with bottles of hair dye.

Maybe we're naive, but since when did rock stars making gobs of cash on albums, posters and T-shirts ever make them less popular with their fan base? As an experiment, we'd love to see someone try a updated version of Billy's speech on Taylor Swift fans, who just emptied their parents bank accounts to buy 8 copies of Taylor's CD because each one has a different color cover. Would it work? Would Taylor's Swifties hurl LP discs at her like lethal frisbees? You tell us......
But back to the movie.....as wobbly as it is (director Lou Adler and writer Nancy Down bitterly squabbled all through its production), we enjoyed every minute of it. In Diane Lane, Laura Dern and Ray Winstone you can catch a sneak preview of some of cinema's most talented forces-to-be-reckoned-with.....way back when.
And best of all, the film knowingly finishes with a funny sharp montage of The Stains' ultimate fate.....and all too true. (We wouldn't dare spoil it, other than saying it's worth staying to the end for...)
For BQ, that's enough for 3 stars (***). Worth checking out.