The Other Side of Midnight (1977)
No mistake. Yes, you read the sub-title of this post correctly.....
The studio pinned all its summer 1977 hopes on this lavishly budgeted romantic melodrama based on yet another trashy best seller cranked out by Sidney Sheldon.
Fox executives held little or no hope for their other summer release of that year.....that bizarre little outer space fantasy concocted by its equally oddball young movie brat writer-director.....George Lucas. Something with robots, furry creatures and laser swords called.....what was the name of it? Star something.....Star Wars?
Who in hell's gonna watch that thing except little kids dropped off by their parents?
Playing hardball with theater owners, Fox forced them into booking "Star Wars" if they wanted their chance to play a sure fire crowd pleaser like "The Other Side of Midnight".
Of those two films, anybody care to guess which one audiences mobbed theaters to see and which one sank like a cement stone faster than Donald Trump's approval ratings? Anybody? Anybody?
Which is why BQ felt burning curiosity about 'Midnight' and decided, after all these years, to check it out......
And now here we sit, mourning the precious 165 minutes of our life we wasted enduring this mind-numbing, unwatchable molasses-paced, dead-on-arrival, worthless-on-every-level turd of a movie.
A Guilty Displeasure to live in infamy.
Keep in mind, we're far from snobs in regard to high-gloss Technicolored soapy wallows. We love luxuriating in grand, Golden Age weepers like Douglas Sirk's "Imitation of Life", "Written On The Wind", "All That Heaven Allows" and "Magnificent Obsession" and also Delmer Daves "A Summer Place", "Spenser's Mountain", "Youngblood Hawke" and "Rome Adventure".
But 'The Other Side of Midnight' fell into the incompetent hands of Charles Jarrott, an unimaginative British journeyman director whose credits included the catastrophic, laughable musical re-make of 'Lost Horizon'.
'Midnight's lengthy storyline certainly doesn't lack for historical sweep, high emotions, passionate sex, wounding betrayals, lush backgrounds and a twisty ironic finale. Sirk or Daves would've had a delicious romp with this material, pumping up an audience to swoon and gasp.
But non-entity Jarrott directs the film as if he's half asleep.....or possibly even unconscious. With a complete lack of energy or urgency, his actors plod through their scenes like they're still doing the initial table read while sipping coffee and munching donuts. From the way the film's cut together, we can only assume the editors were on the same heavy sedatives as Jarrott.
To put it mildly any oil painting moves infinitely faster than this film. We were barely an hour into it before we'd lost the will to live.
On the eve of the German occupation of France, sweet young Noelle (Marie-France Pisier) falls for charming hunka-hunka American pilot Larry (John Beck). Larry's actually a world-class dick who abandons girls after impregnating them. A heartbroken Noelle gives herself a coat hanger abortion then becomes first a movie star than a trophy wife on the arm of a ruthless Greek tycoon Constantine (Raf Vallone). Meanwhile across the pond, the odious Larry has hooked up with poor, quirky, deer-in-the-headlights Catherine. (Susan Sarandon, trying her level best as she delivers lame pseudo-witty gag lines.)
Post war, Larry's mostly drunk and unemployable, but revenge-fueled Noelle has Constantine hire him as her personal pilot to further humiliate and destroy him. But with hormones raging, Larry and Noelle fall back into their hot 'n heavy love affair and then conspire to kill off Catherine.....who turns out difficult to bump off.
This all sounds like juicy fun, right? Lifestyles of the rich, rotten and infamous.....perfect for ooo-ing and ahh-ing the scenery and watch the leads do the horizontal mambo.
Forget it. Not a chance. Not when the movie's constructed like a slow motion funeral and two of the lead actors (France-Pisier and Beck) are about as exciting together as grass growing.
As the entire world flocked to 'Star Wars', 'The Other Side of Midnight' played to empty theaters and instantly forgotten. (As screenwriter William Goldman once remarked about studio executives, "Nobody knows anything").
And now it's our turn to forget it forever.....as should everyone else. Unfit for all. Zero Stars (0).