Over the Edge (1979)
Kurt Cobain and more than a few other rock bands felt themselves creatively inspired by this modestly produced but yet explosively provocative little movie about middle schoolers in violent rebellion.
But the rebels-without-a-clue in "Over the Edge" were nothing at all like the grimy, gritty tough-as-nails mean streets NYC delinquents of "The Warriors" and "The Wanderers", also released in 1979.
The middle class all-white 'Edge' kids, courtesy of their upwardly mobile parents, find themselves plopped down in the arid, remote, depressingly cookie-cutter, 'planned' community of New Granada, Colorado. With its line-up of mass produced condos sitting in the middle of a flat prairie, the place looks like it could easily serve as a background for those lose-the-will-to-live Antonioni films, dripping with ennui.
Literally bored out of their minds, New Granada's youth turn to drugs and random vandalism. And they're constantly harassed, pursued and arrested by the community's Police Sargent Doberman (no kidding about the name). Played by Harry Northup (one of DeNiro's cabbie buds in 'Taxi Driver), Doberman behaves like one of the cops left over from a 'Billy Jack' movie who'd been kicked in the head by Tom Laughlin....repeatedly.
What sets apart this film, which over years established itself as a cult favorite, was director Jonathan Kaplan's unerring skill in manipulating his young cast, who appear directly plucked off the streets of 70's suburbia. (In their first roles, you can spot Matt Dillon and Vincent Spano).
Kaplan, who began his career grinding out Roger Corman's drive-in sludge, moved on to bigger and better things like "The Accused", "Unlawful Entry" and "Love Field". But you can see in "Over the Edge what he learned in Corman's do-or-die school of wham-bam exploitation.....swift broad strokes of melodramatic angst with sudden eruptions of startling violence.
The kids are unable to connect with parents obsessed by living in their trimmed lawn bubbles. These unthinking adults no doubt expected their kids to behave like cheerful tykes from a TV sitcom, befitting their new plush surroundings. But they're left their children restless and cut off from any real outside cultural stimuli.
The community grudgingly gave them a pathetic underwhelming 'teen center' consisting of a few games inside a Quonset hut then yanks it away from them as a punishment tool......
.......thus lighting the fuse for the film's outrageous climax, a spectacle of fiery destruction perpetrated by the kids after they trap their parents inside their school while attending a meeting about the rising tide vandalism.
Supposedly inspired by a real incident, this way over the top, practically operatic fireball finale requires a certain amount of belief suspension, but still manages to pack a punch. And along the way, we had to admire director Kaplan and cinematographer Andrew Davis for their use of the stark Colorado landscapes to accentuate the lonely solitary environment the kids find themself forced into. (Davis would later excel as a director of blockbuster thrillers like "The Fugitive", "Under Siege" and Steven Segal's "Above the Law" and "Under Siege".)
Well worth seeing by all cinema buffs and easily available on free streaming services. 4 stars (****) for a film that more than earns its cult status.








































